Author(s): A. K. Blakemore

Novel | Historical

Fear and destruction take root in a community of women when the Witchfinder General comes to town, in this dark and thrilling debut. England, 1643. Parliament is battling the King; the war between the Roundheads and the Cavaliers rages.

Puritanical fervour has gripped the nation, and the hot terror of damnation burns black in every shadow. In Manningtree, depleted of men since the wars began, the women are left to their own devices. At the margins of this diminished community are those who are barely tolerated by the affluent villagers - the old, the poor, the unmarried, the sharp-tongued.

Rebecca West, daughter of the formidable Beldam West, fatherless and husbandless, chafes against the drudgery of her days, livened only by her infatuation with the clerk John Edes. But then newcomer Matthew Hopkins takes over the Thorn Inn and begins to ask questions about the women of the margins. When a child falls ill with a fever and starts to rave about covens and pacts, the questions take on a bladed edge.

The Manningtree Witches plunges its readers into the fever and menace of the English witch trials, where suspicion, mistrust and betrayal ran amok as the power of men went unchecked and the integrity of women went undefended. It is a visceral, thrilling book that announces a bold new talent.

REVIEW:

"This is an intimate portrait of a clever if unworldly heroine who slides from amused observation of the 'moribund carnival atmosphere' in the household of a 'possessed' child to nervous uncertainty about the part in the proceedings played by her adored tutor to utter despair as a wagon carts her off to prison." -Alida Becker, The New York Times Book Review

"Blakemore brings both beautifully crafted sentences and a thorough understanding of Hopkins' theology to her fascinating novel . . . It's clear that the author is deeply conversant in the historiography of English witchcraft as popularized by historians such as Keith Thomas and Lyndal Roper. Her characters plumb the taxonomy of the persecuted with precision . . . Brilliant." -Los Angeles Times

"The Manningtree Witches ventures into dark places, to be sure, but it carries a jewelled dagger. Blakemore is a poet, and readers given to underlining may find their pencils worn down to stubs . . . Such sharp wit and rich textures would be welcome in any setting, but here they form what seems a fitting tribute. The persecutors in this tale are given close scrutiny, but the book belongs to the persecuted. And on these pages, in all their ordinary glory, those women are at last allowed to live." --Paraic O'Donnell, The Guardian

"In A.K. Blakemore's dark, entrancing debut novel, there is something seductive about the small town of Manningtree, where women are left mostly alone as the men are off at war, and have their first tastes of freedom in their staunchly Puritanical society . . . Blakemore's story is inspired by real events from 400 years ago (primary sources are sprinkled throughout), but the narrative feels vivid, current, propulsive-and all the more viscerally deranging for it." -Kristin Iversen, Refinery29

"Blakemore expertly wields the colorful language of Oliver Cromwell's time: her barbs are as sharp and her observations as salty as William Shakespeare's-but with a feminist twist . . . Blakemore has written a spellbinding novel about the unprecedented persecution of women during the 'Witch Craze' in 17th-century England. But she has done more than that . . . [she] has given voice to women whose stories have only been told by others and thus provides a very different view of history than what is written in the official narrative." -Elaine Elinson, The Los Angeles Review of Books

"Blakemore's novel, as Rebecca Tamas puts it, 'makes the past breathe,' with a captivating ferocity of language, deftly wrought characters, and richly spooky images that tell a story I couldn't put down despite the dreaded ending I knew I was in for. But the past breathes whether Blakemore brings it to life or not. The present moment is a continuation of the past. We are here because we were there. We are still there." -Hannah Lamb-Vines, Full Stop

Author Biography: A. K. Blakemore is the author of two full-length collections of poetry: Humbert Summer (Eyewear, 2015) and Fondue (Offord Road Books, 2018), which was awarded the 2019 Ledbury Forte Prize for Best Second Collection. She has also translated the work of Sichuanese poet Yu Yoyo (My Tenantless Body, Poetry Translation Centre, 2019). Her poetry and prose writing has been widely published and anthologised, appearing in the The London Review of Books, Poetry, Poetry Review and The White Review, among others.