Author(s): Leanne Shapton

Short Stories | Art | Read our reviews!

One of our most imaginative writers and artists explores the visitations that haunt us in the midst of life, and reinvents the very way we narrate experience.   What haunts us? What can't we let go of? A tennis prodigy collapses after his wins, crediting them to an invisible, not entirely benevolent presence. A series of ghosts appear at their former bedsides, some distraught, some fascinated, to witness their unfamiliar occupants. A woman returns from a visit to Alcatraz with an uncomfortable feeling. The spirit of a prisoner has attached himself to you, a friend tells her. He sensed the empathy you had for those men.   In more than two dozen stories and vignettes accompanied by an evocative curiosity cabinet of artifacts and images--found photographs, original paintings, Instagram-style portraits--Guestbook beckons us through the glimmering, unsettling evidence that marks our paths through life.

STELLA'S REVIEW:
Guestbbook is a project, as much as a book. My first Leanne Shapton experience was Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris — a novel about a relationship break-up in the form of an auction catalogue. Then Swimming Studies — a memoir of sorts with essays, photographs and illustrations (which I’m very pleased to own a hardback copy of — now out of print (and if you are keen on Guestbook, I recommend this very handsome hardback edition while it is still available)) and also her collaborative work with Sheila Heti and Heidi Julavits, Women in Clothes, which is just brilliant and endlessly browseable. But I think Guestbook might top all these. It’s an experience, an art project, a rumination on memory and story-telling, with its collected images and texts and wonderfully strange, clever juxtapositions. These collected pieces are various and endlessly fascinating. In 'Eqalussuaq', a series of black-and-white photographs worthy of old nature magazines of the Greenland shark is captioned with snippets from newspaper items as well as a monologue of culinary requests to the possible chef for a private party sailing trip. 'At the Foot of the Bed', a series of photographs, some from magazine advertising, of empty beds have an eerie presence on the page — disturbing by their silence and strange wanting for someone or something to happen. There’s the story of a traumatised tennis player, Billy Byron, and his imaginary companion who drives him to the brink — a pinprick look at highly driven competitive personalities. It’s no coincidence that this book is subtitled Ghost Stories. There are ghostly apparitions, tales of odd happenings, old houses with haunting fables. Shapton is delving into and creating the unexplained, using memorabilia, found objects (photos and images), reminiscences, resonances and mis-tellings to make us look twice and then make us look again — think again. Her artworks from various projects are interspersed throughout, watercolours, drawings, sculptural and photographic work, and the overall black-and-white printing gives a feeling of timelessness or 'timetrappedness'. In 'The Iceberg as Viewed by Eyewitnesses', she matches drawings (falsely attributed to eyewitnesses of the Titanic sinking) with the incident book from an upmarket restaurant and bar — the complaints and how the staff dealt with the issues, alongside recommendations for more appropriate actions next time. Humour underscores many of the vignettes. What is true and what is real are not considerations in this Guestbook, but the emotions, the philosophical musings, and Shapton’s role as witness of events and medium of ghostly apparitions will delight anyone who likes to look sideways at the world with one eye squinting and a mind wide open to intrigues and play.   

------------------------------------Review: 'Ghost' is a good word for all the nameless longing that doesn't get resolved in this lifetime. Shapton has created a mystical territory - a performance, an exhibition, a guestbook - in which I felt the ghost within myself; the thing that will outlive me. A fearless and exquisite book. -- Miranda July
Leanne Shapton has a way of making books entirely new, surreal, and uncanny, always experimenting with the ways image and text can be mixed to tell new stories, in new ways. Guestbook is a delicious haunting and leaves one with a chill of recognition for how we live as ghosts in this distant, distracted, and image-obsessed time. -- Sheila Heti
It looks like a book, about the strangeness and sadness of love, but is really a house, and the house is haunted, and is still haunting me. -- John Jeremiah Sullivan, writer for the New York Times and editor for Harper's Magazine and the Paris Review
Guestbook discretely ushers us into the realms of the profound and the other worldly via the profane, the staged and the everyday. A rare and thrilling synthesis of literary sensibility and the artist's eye. The kind of picture book every grown up dreams of reading. -- Adam O'Riordan, author of 'In the Flesh' and 'The Burning Ground'
Through her experimental prose, Leanne Shapton has created a unique meditation on spectrality. Both a selection of mystical ghost stories and a tracing of ephemera and archival imagery, Guestbook identifies the uncanny nature of everyday life. Shapton glides seamlessly through each of the many vignettes that make up this haunting work which is part poem, part novel, part artwork, and everything in between. -- Hans Ulrich Obrist
In this astounding book, full of exquisitely disquieting narrative gestures and found ghosts, Leanne Shapton proves herself a master scrap-booker of the unconscious, a brilliant bricolage comic, and a fierce and subtle artistic provocateur. Enter these worlds at your peril, and to your guaranteed delight. -- Sam Lipsyte, author of 'Hark' and 'The Ask'
Hard to describe and impossible to forget, Guestbook is genuinely haunting and wholly original: a book to be experienced more than read. -- Lottie Moggach, author of 'Kiss Me First'
Shapton inventively explores the space between presence and absence, craftily blending images and text to articulate what cannot be explained, only sensed, making for a uniquely haunting and uncanny work. * Publishers Weekly *

Author Biography: Leanne Shapton is an artist, illustrator, and writer who was born in Toronto and lives in New York. She has contributed to The New York Times, Harper's, The New Yorker, Jane, Seventeen, Saturday Night, and Maclean's, among other publications. She is one of the founders of J&L Books, a non-profit publishing company specializing in new art and writing. She is the author of several books, including Women in Clothes (with Heidi Julavits) and Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry.