The acclaimed second collection of poetry by Patricia Lockwood--a New York Times Notable Book
SELECTED AS A BEST BOOK OF THE YEAR: The New York Times * The Boston Globe * Powell's * The Strand * Barnes & Noble * BuzzFeed * Flavorwire
Read Lockwood's memoir, Priestdaddy, named one of The New York Times Book Review's 10 Best Books of 2017
Colloquial and incantatory, the poems in Patricia Lockwood's second collection address the most urgent questions of our time, like: Is America going down on Canada? What happens when Niagara Falls gets drunk at a wedding? Is it legal to marry a stuffed owl exhibit? Why isn't anyone named Gary anymore? Did the Hatfield and McCoy babies ever fall in love?
The steep tilt of Lockwood's lines sends the reader snowballing downhill, accumulating pieces of the scenery with every turn. The poems' subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.
[Lockwood's] long poem about being raped, Rape Joke, became a viral hit in 2013, not just because it is shocking, but because it is brilliant. The poems in [this] collection ... are the work of a genuine original. They are surreal, they are funny, they are subversive. They do what poetry is meant to do: they make you look at things in a different way -- Christina Patterson * Sunday Times * Prismatically witty, sexually slippery, polymorphous, and Millennially mischievous poetry ... I can see [Lockwood] in my mind, post-religion, post-family, a savvy, wounded poet hanging over an electronic abyss ... Can poetry address the massive and systematic degradation of the mental environment? Lockwood, her personae shimmering, her linguistic sensors tingling, is one of the few poets tough enough and shrewd enough to try -- James Parker * The Atlantic * [Lockwood] has written a book at once angrier, and more fun, more attuned to our time and more bizarre, than most poetry can ever get, a book easy to recommend for people who do not read new poetry often - as well as for people who do. -- Stephen Burt * The New York Times Sunday Book Review * The little hairs on my back rose often while reading Motherland Fatherland Homelandsexuals ... That's biological praise, the most fundamental kind, impossible to fake. -- Dwight Garner * The New York Times * Heroically weird -- Eryn Loeb * Guernica *
Patricia Lockwood was born in Fort Wayne, Indiana, USA and raised in all the worst cities of the Midwest. Her debut collection, Balloon Pop Outlaw Black, was released in 2012 by Octopus Books; a selection of her poetry was included in Penguin Modern Poets 2: Controlled Explosions (2016), and her memoir, Priestdaddy, is forthcoming from Penguin in 2017. Her poems have appeared widely, including in The New Yorker, the London Review of Books, Tin House and Poetry.