A long-awaited English translation of the groundbreaking oral history of women in World War II across Europe and Russia--from the winner of the Nobel Prize in Literature
"A landmark."--Timothy Snyder, author of On Tyranny: Twenty Lessons from the Twentieth Century
For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her invention of "a new kind of literary genre," describing her work as "a history of emotions . . . a history of the soul."
In The Unwomanly Face of War, Alexievich chronicles the experiences of the Soviet women who fought on the front lines, on the home front, and in the occupied territories. These women--more than a million in total--were nurses and doctors, pilots, tank drivers, machine-gunners, and snipers. They battled alongside men, and yet, after the victory, their efforts and sacrifices were forgotten.
Alexievich traveled thousands of miles and visited more than a hundred towns to record these women's stories. Together, this symphony of voices reveals a different aspect of the war--the everyday details of life in combat left out of the official histories.
Translated by the renowned Richard Pevear and Larissa Volokhonsky, The Unwomanly Face of War is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war.
"But why? I asked myself more than once. Why, having stood up for and held their own place in a once absolutely male world, have women not stood up for their history? Their words and feelings? They did not believe themselves. A whole world is hidden from us. Their war remains unknown . . . I want to write the history of that war. A women's history."--Svetlana Alexievich
Read by Julia Emelin, Yelena Shmulenson, Allen Lewis Rickman, and Alan Winter
THE WINNER OF THE NOBEL PRIZE IN LITERATURE
"for her polyphonic writings, a monument to suffering and courage in our time."
"Patient in overcoming cliché, attentive to the unexpected, and restrained in exposition, her writing reaches those far beyond her own experiences and preoccupations, far beyond her generation, and far beyond the lands of the former Soviet Union."--Timothy Snyder, author of On Tyranny: Twenty Lessons from the Twentieth Century
"Alexievich's artistry has raised oral history to a totally different dimension. It is no wonder that her brilliant obsession with what Vasily Grossman called 'the brutal truth of war' was suppressed for so long by Soviet censors, because her unprecedented pen portraits and interviews reveal the face of war hidden by propaganda."--Antony Beevor, author of Stalingrad: The Fateful Siege
"[Alexievich moves] away from military narrative and [tells] the tales of Soviet women who took on male roles, fought on the front lines, killed and got killed, but still looked at the shattered world around them from a feminine perspective, focusing on human suffering and basic emotions free of any pathos."--Newsweek
"A mighty documentarian and a mighty artist . . . Her books are woven from hundreds of interviews, in a hybrid form of reportage and oral history that has the quality of a documentary film on paper. But Alexievich is anything but a simple recorder and transcriber of found voices; she has a writerly voice of her own which emerges from the chorus she assembles, with great style and authority, and she shapes her investigations of Soviet and post-Soviet life and death into epic dramatic chronicles as universally essential as Greek tragedies."--The New Yorker
A landmark in the study of female soldiers... Alexievich's method is the close interrogation of the past through the collection of individual voices; patient in overcoming cliche, attentive to the unexpected, and restrained in exposition, her writing reaches those far beyond her own experiences and preoccupations, far beyond her generation, and far beyond the lands of the former Soviet Union -- Timothy Snyder, author of On Tyranny Alexievich's artistry has raised oral history to a totally different dimension. It is no wonder that her brilliant obsession with what Vasily Grossman called "the brutal truth of war" was suppressed for so long by Soviet censors, because her unprecedented pen portraits and interviews reveal the face of war hidden by propaganda -- Antony Beevor Alexievich serves no ideology, only an ideal: to listen closely enough to the ordinary voices of her time to orchestrate them into extraordinary books -- Philip Gourevitch * New Yorker * Alexievich has become one of my heroes -- Atul Gawande Astonishing... A profoundly humbling, devastating book, it should be compulsory reading for anyone wishing to understand the experience of the war and its haunting legacy in the former Soviet Union -- Daniel Beer * Literary Review * As with her other books, terrifying documentation meets great artfulness of construction -- Julian Barnes * Guardian (Summer Reading) *
Svetlana Alexievich was born in Ivano-Frankivsk in 1948 and has spent most of her life in the Soviet Union and present-day Belarus, with prolonged periods of exile in Western Europe. Starting out as a journalist, she developed her own non-fiction genre which brings together a chorus of voices to describe a specific historical moment. Her works include The Unwomanly Face of War (1985), Last Witnesses (1985), Boys in Zinc (1991), Chernobyl Prayer (1997) and Second-Hand Time (2013). She has won many international awards, including the 2015 Nobel Prize in Literature for "her polyphonic writings, a monument to suffering and courage in our time".