Author(s): Norman Erikson Pasaribu

Short Stories | Translated fiction | Asia | LGBTQI+ | Indonesia | Giramondo

Happy Stories, Mostly is a playful, charged and tender collection of twelve stories – a blend of speculative fiction and dark absurdism, often drawing on Norman Erikson Pasaribu’s Batak and Christian cultures. Pasaribu’s stories ask what it means to be almost happy – almost to find joy, almost to be accepted, but never quite grasp one’s desire. Joy and contentment shimmer on the horizon, just out of reach. In one story, an employee is introduced to their new workplace – a department of Heaven devoted to archiving unanswered prayers. In another, a woman on holiday in Vietnam attempts to find solace following the suicide of her son. In a third, a young man befriends a university classmate obsessed with verifying the existence of a mythical hundred-foot-tall man. Throughout the collection, queerness is a fact of life from which tragicomic events spring, amidst the forces that keep people from those whom they yearn for most, and the miraculous, melancholy ability to survive such loneliness. In the words of one of the stories’ narrators, ‘I work in the dark. Like mushrooms. I don't need light to thrive.’

A powerful blend of science fiction, absurdism and alternative-historical realism that aims to destabilise the heteronormative world and expose its underlying rot. Translated by Tiffany Tsao.

Inspired by Simone Weil’s concept of ‘decreation’ and drawing on Batak and Christian cultural elements, in Happy Stories, Mostly Pasaribu puts queer characters in situations and plots conventionally filled by hetero characters.

In one story, a staff member is introduced to their new workplace - a department of Heaven devoted to archiving unanswered prayers. In another, a woman’s attempt to vacation in Vietnam after her gay son commits suicide turns into a nightmarish failed escape. And in a speculative-historical third, a young man finds himself haunted by the tale of a giant living in colonial-era Sumatra.

WINNER OF THE 2022 REPUBLIC OF CONSCIOUSNESS PRIZE

Author Description: Norman Erikson Pasaribu was born in Jakarta in 1990. His first short story collection Hanya Kamu yang Tahu Berapa Lama Lagi Aku Harus Menunggu (Only You Know How Much Longer I Should Wait) was shortlisted for the 2014 Khatulistiwa Literary Award for Prose. His debut poetry collection Sergius Mencari Bacchus (Sergius Seeks Bacchus) won the 2015 Jakarta Arts Council Poetry Competition, was shortlisted for the 2016 Khatulistiwa Literary Award for Poetry and named by Tempo as one of the best poetry collections of that year. His short story collection Happy Stories, Mostly won the 2022 Republic of Consciousness Prize and was longlisted for the 2022 International Booker Prize.