Author(s): Olivia Laing

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Never has a publication been more timely' - Dazed

'A brave writer whose books open up fundamental questions about life and art' - Telegraph

In this remarkable, inspiring collection of essays, acclaimed writer and critic Olivia Laing makes a brilliant case for why art matters, especially in the turbulent political weather of the twenty-first century.

Funny Weather brings together a career's worth of Laing's writing about art and culture, examining their roles in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O'Keeffe, interviews Hilary Mantel and Ali Smith, writes love letters to David Bowie and Freddie Mercury, and explores loneliness and technology, women and alcohol, sex and the body.

With characteristic originality and compassion, she celebrates art as a force of resistance and repair, an antidote to a frightening political time.

We're often told art can't change anything. In Funny Weather, Laing argues that it can. It changes how we see the world, it exposes inequality, and it offers fertile new ways of living.

STELLA'S REVIEW:
A collection of essays about art and emergency couldn’t be more fitting for the times we live in. Funny Weather is a collection of pieces written by Olivia Laing between 2015—2019 for various art magazines and newspapers. Laing is intrigued by the idea, and adamant that it is so, that art is a vehicle for resistance and repair in a world where crises pit us against systems, both capitalist and governmental, and where unexpected emergencies create social and cultural upheaval. While these writings predate the Covid crisis, the ideas and analysis can easily be applied to our present scenario. Laing discusses artists, writers, and their work related to the political and social upheavals that prefigure and inform their practice. Whether it’s documenting the AIDS crisis, as in the work of  David Wojnarowicz, or exploring our place in nature — Derek Jarman — or creating a place of least distraction — Georgia O’Keefe — or using language to counter political expediency — Ali Smith — or countering expectations — Jean-Michel Basquiat — Laing introduces us to artists who push against the rigidity of conformity, question authority and suggest alternatives. While the best works are in a biographical essay style, the longer pieces being more satisfying, the variety of work ensures fresh views on artists you may know, as well as introductions to some you don’t. Split into loosely thematic sections, the essays intersect across each other in ideas and study, with all drawing down to Laing’s insistence that art is important in the face of an emergency. This concept underlies her conversations about or with the artists, and her critique of their work in the context of political, social and cultural phenomena. Where Laing succeeds and keeps the reader engaged (compared with the stilted or pretentious nature of much art writing) is in her ability to write with insight, compassion and verve, by putting her own experiences into the dialogue and teasing at the edges, looking afresh (much in the same way that John Berger makes us look at art) to give the reader informative and complex, yet unwaveringly accessible, conversation. Laing avoids easy conclusions and gives us plenty to chew on, as we seek art to save us in an emergency.

Author Biography: Olivia Laing is the author of three acclaimed works of non-fiction. To the River (2011) was shortlisted for the Ondaatje Prize and the Dolman Travel Book of the Year. The Trip to Echo Spring (2013) was shortlisted for the Costa Biography Prize and the Gordon Burn Prize. The Lonely City (2015) won the Eccles British Library Writer's Award, was shortlisted for the Gordon Burn Prize and the National Book Critics Circle Award for Criticism and has been translated into fifteen languages. Her first novel, Crudo, was published in 2018 to great critical acclaim. It was a Sunday Times bestseller and was shortlisted for the Gordon Burn Prize and the Goldsmiths Prize. In 2018 she was awarded a Windham-Campbell Prize for non-fiction.