‘A novel written in epistolary form, Cooper has maximised the potential of this literary convention to achieve a work of great depth and quiet power. Over three decades, a mother and her artist daughter communicate only by letters, excavating their relationship as it evolves with melancholic, astute precision. At times spellbinding and mesmerising, the work also proves provocative and inspirational. As much a love letter to the lost art of letter-writing as it is a thirty year-long dialogue of familial love, Cooper has produced an understated book that nonetheless resonates powerfully. This book is deeply sensitive to the ebb and flow of relationships over time and the way love is disguised, expressed and experienced, and it achieves that elusive dream of all authors and finds new meaning in the recording of life.’
— Helen Cullen, Irish Times

‘Bolt from the Blue is a venturesome, epistolary fiction spanning over 30 years.’
— Catherine Taylor, Financial Times

‘Jeremy Cooper’s work is consistently haunting and layered, built on a refreshing trust in the reader to delve deeper behind the quiet insinuations of his prose. His work resists every modern accelerant, creating a patient and precise tonic. He is easily one of the most thoughtful British fiction writers working today.’
— Adam Scovell, author of How Pale the Winter Has Made Us

‘Bolt from the Blue is a scintillating, wistful exploration of a good career and a poor relationship. Pithy yet expansive, it’s an essential, engrossing, illuminating read for any aspiring artist.’
— Sara Baume, author of Handiwork

‘There’s a strange magic to Jeremy Cooper’s writing. The way he puts words together creates an incantatory effect. Reading him is to be spellbound, then. I have no idea how he does it, only that I am seduced.’
— Ben Myers, author of The Offing

‘For a book that has the word ‘love’ on almost every page, Bolt from the Blue is endlessly inventive in showing us how love is often hidden, rationed, coded and disguised. It is an epistolary dialogue between a life of possibilities – as shown through the maturing vision of an artist – and one of disappointments, expressed through the wise and seasoned scepticism of the artist’s mother. Jeremy Cooper is a deft and sensitive writer who understands how to entrust his book to his characters.’
— Ronan Hession, author of Leonard and Hungry Paul

Praise for Ash before Oak

‘Low-key and understated, this beautiful book ... is a civilised and melancholy document that slowly progresses towards a sense of enduring, going onwards, and even new life. It feels like a healing experience.’
— Phil Baker, The Sunday Times

‘A study in how writing can give lives meaning, and in how it can fail to be enough to keep one afloat, this is a rare, delicate book, teeming with the stuff of real life.’
— Publishers Weekly, starred review

Jeremy Cooper is a writer and art historian, author of five previous novels and several works of non-fiction, including the standard work on nineteenth century furniture, studies of young British artists in the 1990s, and, in 2019, the British Museum’s catalogue of artists’ postcards. Early on he appeared in the first twenty-four of BBC’s Antiques Roadshow and, in 2018, won the first Fitzcarraldo Editions Novel Prize for Ash before Oak.