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STELLA'S REVIEW:
Olga’s helping Lara. They are both looking after the baby because Sophie needs them. Lara and Olga are neighbours. They live in the same building. Sophie, Lara’s daughter, is having a tough time with the new baby. Her husband died six months before their child’s birth. Lara puts her life on hold so she can step in to care for her daughter and new grandchild. Thankfully, there is Olga, so sensible and dependable. Olga, who can come at a moment's notice and is a wonderful support for them all, especially Lara. Gigi Fenster, in A Good Winter, convincingly, and without pause, keeps us in the grips of Olga’s mind and perspective. The novel is Olga’s story — her telling. Through her actions and encounters alone we ‘know’ Lara and her family. As the winter progresses, the two women build their routine, a routine that Olga makes happen, making small adjustments in her previous daily structure, unbeknown to Lara. Olga sees her relationship with Lara as special, unlike the other friends, and her obsession with Lara builds as Winter progresses into Spring. They have their special films, their cafe and funny shared phrases. Olga is enamoured with Lara: she’s the only one who understands. As Sophie improves and her depression ebbs, Olga’s behaviour becomes more erratic and her jealousies simmer just under the edge of her reasonable veneer. Being in Olga’s head is never an easy place, but Fenster keeps us engaged in this discomfort, taking us to parts of Olga’s childhood that are almost out of bounds, that Olga attempts to repress; keeping the monologue tight, and striking an almost humorous note with Olga’s judgemental observations. This is a story of an unsettled mind, of tragedy and abandon, one which is riveting and thrilling, one which doesn’t shy from a building sense of alarm while also gently taking us along, allowing us glimpses into Olga’s past, her desires and sadness. The pace is pitch-perfect, the language, with its cleverly constructed conversations and staccato memory snippets, successfully reflects a troubled mind. As these images, Olga’s memories, some true; others constructed, coalesce on the page and build in the reader’s mind, it becomes increasingly likely that this woman’s obsession with Lara and her deep-seated delusions won't be repressed indefinitely. Olga’s betrayals that she carries deep in the pit of herself are screaming to be released. But what will be the trigger that unpicks the carefully constructed blanket? The new young female tenant who doesn’t know the ‘rules’? Sophie’s terribly selfish trashy friend? The new boyfriend? Or something or someone closer to home? Fenster manages to bring a lightness and freshness to a fraught topic and Olga is completely convincing. A Good Winter was awarded the 2020 Gifkin Prize and is longlisted for this year's Acorn Prize. Highly accomplished, this is a sensational piece of writing about betrayal, the harm of a childhood misunderstood, a life desiring purpose and acknowledgement, and ultimately, the story of a woman undone.
STELLA'S REVIEW:
Olga’s helping Lara. They are both looking after the baby because Sophie needs them. Lara and Olga are neighbours. They live in the same building. Sophie, Lara’s daughter, is having a tough time with the new baby. Her husband died six months before their child’s birth. Lara puts her life on hold so she can step in to care for her daughter and new grandchild. Thankfully, there is Olga, so sensible and dependable. Olga, who can come at a moment's notice and is a wonderful support for them all, especially Lara. Gigi Fenster, in A Good Winter, convincingly, and without pause, keeps us in the grips of Olga’s mind and perspective. The novel is Olga’s story — her telling. Through her actions and encounters alone we ‘know’ Lara and her family. As the winter progresses, the two women build their routine, a routine that Olga makes happen, making small adjustments in her previous daily structure, unbeknown to Lara. Olga sees her relationship with Lara as special, unlike the other friends, and her obsession with Lara builds as Winter progresses into Spring. They have their special films, their cafe and funny shared phrases. Olga is enamoured with Lara: she’s the only one who understands. As Sophie improves and her depression ebbs, Olga’s behaviour becomes more erratic and her jealousies simmer just under the edge of her reasonable veneer. Being in Olga’s head is never an easy place, but Fenster keeps us engaged in this discomfort, taking us to parts of Olga’s childhood that are almost out of bounds, that Olga attempts to repress; keeping the monologue tight, and striking an almost humorous note with Olga’s judgemental observations. This is a story of an unsettled mind, of tragedy and abandon, one which is riveting and thrilling, one which doesn’t shy from a building sense of alarm while also gently taking us along, allowing us glimpses into Olga’s past, her desires and sadness. The pace is pitch-perfect, the language, with its cleverly constructed conversations and staccato memory snippets, successfully reflects a troubled mind. As these images, Olga’s memories, some true; others constructed, coalesce on the page and build in the reader’s mind, it becomes increasingly likely that this woman’s obsession with Lara and her deep-seated delusions won't be repressed indefinitely. Olga’s betrayals that she carries deep in the pit of herself are screaming to be released. But what will be the trigger that unpicks the carefully constructed blanket? The new young female tenant who doesn’t know the ‘rules’? Sophie’s terribly selfish trashy friend? The new boyfriend? Or something or someone closer to home? Fenster manages to bring a lightness and freshness to a fraught topic and Olga is completely convincing. A Good Winter was awarded the 2020 Gifkin Prize and is longlisted for this year's Acorn Prize. Highly accomplished, this is a sensational piece of writing about betrayal, the harm of a childhood misunderstood, a life desiring purpose and acknowledgement, and ultimately, the story of a woman undone.
>> watch interview with Gigi Fenster
In A Good Winter, Gigi Fenster takes us inside the head of the obsessive and judgmental Olga, whose helpfulness towards her neighbour, her neighbour's daughter and her child leads them all down a path to tragedy. Highly accomplished, the book is both sympathetic and cutting, both bleak and darkly funny, both insightful and unnerving. Olga's voice is pitch-perfect and unforgettable.
>>Other books by Fenster.
>>Read other books short-listed for the 2022 Ockham New Zealand Book Awards.
>>Read other books short-listed for the 2022 Ockham New Zealand Book Awards.
